Firstly, and this is a phenomenon I’ve noticed with various artists such as Rivers Cuomo (the unabashedly Green Day-adoring) and Ted Leo, but it’s not unheard of for a discography to actually become less mature, or starkly FINAL, as it goes on. Consider, for instance, Weezer (1994) and The Tyranny of Distance. Listen to the … Continue reading “Compositing a Green Day Mix and Examining Motifs of Time as Being Pliable or Erroneous”